Nationally Designated Important Cultural Property Nyohoji Buddha Hall

About Nyoho-ji Temple

Nyoho-ji Temple was originally built by the lord of Kita-gun, Utsunomiya in the Muromachi period. Later this temple was closed. However, it was reopened by the second lord of Ozu Domain, Yasuoki Kato in Kanbun 9 (1669). He brought in a reputable Zen monk, Yotaku Bankei and rebuilt it as a temple of the Myoshinji denomination of Rinzaishu.
Originally there were many buildings on the grounds including a Buddha hall, a Rinzo (a library with rotating shelves for sutras), Hojos (living quarters), and Kuris (monk’s living quarters). However, due to several fires, all the buildings except the Buddha hall were burnt down, and only a few of them were rebuilt later.
Several buildings were scattered across the mountains including Kannondo, which was built in Enpo 5 (1677), and Oshiken (Kaizando). In addition, behind the living quarters, there is a chisenkansho style garden (a garden with a central pond and fountain, designed to be appreciated from a study room), which was said to be made in the middle of the Edo period. The pond, Fushoike, colored by lotus flowers, creates a serene atmosphere.
Nyoho-ji Temple was a family temple of the lords of Ozu Domain, the Kato Family, as well as Ryogozansokeiin. Seven lords were buried at the grave site: the second lord, Yasuoki, the third lord, Yasutsune, 4th lord, Yasumune, 5th lord, Yasuatsu, 7th lord, Yasutake, 9th lord, Yasutoki, and 12th lord, Yasutomi. The grave site and precincts were designated as historic sites by Ozu City.

National Important Cultural Property Buddha Hall

*A ken: 1.82m.
*A kohai: a roof built over the steps leading up to a temple building
*A geya: a projected roof attached to the back of a building
*Karahafu : Chinese Tang Dynasty style undulating (roof). The center of the roof is arched (convex) and the sides are curved (concave.)

The hall was built in Kanbun 10 (1670). It measures 4 kens in width and 5 kens in length and has a one ken kohai in front and a Karahafu geya attached to the building at the back entrance. It has a dirt floor paved with diamond shaped bricks called sen, and the ceiling is painted with 96 pictures of dragons.
In the center of the hall, there is a platform of the alter called Shumidan, where a Shakanyorai Image is placed and enshrined. On each side of the hall, there is a Tatami space, 1 ken in width, called Tan, which was used for monks’ daily activities including meditation, and against the wall next to it, there is a line of chests of drawers called Kanki to keep their bedding. As a Buddha hall, the floor plan of this hall is unique since it was made to have dual functions, as a space for Buddhist prayers and at the same time as a space for monks to practice Zen and live.
The Buddha hall survived several fires. It still maintains its original structure and has an excellent design as well. Because of these features, the hall was designated as an important national cultural property in Heisei 4 (1992) as an example of a typical modern Japanese Zen Buddhist hall.

  • Drawers on the West Side of the Hall Notes Found on the Side of the Drawers in Charcoal InkDrawers on the West Side of the Hall
    Notes Found on the Side of the Drawers in Charcoal Ink
  • Drawers on the West Side of the Hall Notes Found on the Side of the Drawers in Charcoal Ink

Findings of the Buddha Hall Revealed during Preservation and Reconstruction Work

Preservation and reconstruction work took about 4 years, starting in Heisei 22 (2010). It revealed the original conditions of the hall and other new facts.
Some notes were found scribbled on the sides of the drawers of the chests in charcoal ink such as “Temple under restoration” and “Shakamuni Hall.” These notes show that the architects and workers then considered that Nyoho-ji Temple was a restored temple and that this Buddha hall was a Shakamuni hall.
In addition, it was found that the sculptures of kohai and kaerumata (frog-leg shaped struts) were carved by artisans in Himeji and that ridge-end tiles called onigawara were made by tile makers in Ozu.
Furthermore, it was found that the roof and roof boards of the hall were repaired several times and that a few areas of the hall were renovated.

  • Kohai: Notes Written in Charcoal Ink on the Nose of the Lion on the East SideKohai: Notes Written
    in Charcoal Ink
    on the Nose of the Lion
    on the East Side
  • Kohai: Nose of the Lion on the East SideKohai: Nose of the Lion
    on the East Side
  • Onigawara on the West Top Ridge of the RoofOnigawara on the West Top Ridge of the Roof

Kokerafuki of the Geya Roof (Shingled Roof) in the BackKokerafuki of the Geya Roof (Shingled Roof) in the Back

Geya, the roof of the back of the building, was one of the renovated areas. It was tiled before the repair. During the reconstruction work, however, some original materials were found, which revealed that the roof was originally a shingled roof made of thin boards. Furthermore, the foundation of the hall, which was made of stone, was found to be originally a floor made of plaster made with special red soil and sands called domadataki.

  • Statue of the Founder & Sponsor:Yasuoki KatoStatue of the Founder & Sponsor:
    Yasuoki Kato
  • Statue of the Founding Monk:Yotaku BankeiStatue of the Founding Monk:
    Yotaku Bankei

Statues of the Sponsor & Founders in the Buddha Hall

The platform behind the Buddha hall is extended on both sides. On the East side of the platform, there is a statue of the founder of Nyoho-ji Temple, Yotaku Bankei. On the west side of the platform, a statue of the sponsor and founder, Yasuoki Kato can be found.The statue of Yotaku Bankei was made in Genroku 10 (1697). The head was made with clay which contains ashes of the bones of Bankei himself. The hair and mustache attached to the face were also believed to be his own. The year when the statute of Yasuoki Kato was made is unknown. The waistcoat of his statue was said to be worn by Bankei at Yasuoki’s 13th memorial ceremony held in Genroku 2 (1689).

Nyoho-ji Temple Precincts Guide Map

Cultural Properties of Nyoho-ji Temple

Tangible Cultural Properties Designated by Ehime Prefecture Mokuzo Jizo Bosatsu Ryuzo

Tangible Cultural Properties Designated by Ehime Prefecture Mokuzo Jizo Bosatsu Ryuzo

JizodoJizodo

Mokuzo Jizo Bosatsu Ryuzo is in the Jizodo of the temple. It is a life size statue with a height of 162.5 cm. The body was made of three wooden blocks: two in the front and one for the back, all of which are essentially solid and carved. First, the shoulders of the front and back blocks were joined and next the flanks were put together, and finally the tips of the hands and the shoes were added. This is a dynamic and powerful statue suggestive of a Kamakura warrior’s proportions.
On the mortise joints of the feet, are inscribed the year 1276 (Kenji 2) and the name of the Buddha statue maker, Kokei Hokyo. It is considered that he was the same sculptor who made the wooden Shakanyoraizo in Hozoji in Tamagawa Cho, Imabari City. Based on his distinct powerful style, he is thought to be a Buddhist statue maker from the Kanto area.

※This statue is usually not on view for the general public.

Natural Treasure Designated by Ehime Prefecture Camellia Trees of Nyoho-ji Temple

Natural Treasure Designated by Ehime Prefecture Camellia Trees of Nyoho-ji Temple

In the front garden at the entrance of the temple, there are three of the finest camellia trees, one Goshiki Chiri Tsubaki tree and two Shutendoji trees.
The Goshiki Chiri Tsubaki is estimated to be about 300 years old and is said to have come from a famous camellia tree related to a heroic feudal lord of the Kumamoto Domain, Kiyomasa Kato.
The Shutendoji trees, which grow only within the area of the old Ozu Domain, bear gorgeous scarlet flowers. One of them is estimated to be more than 150 years old and the other more than 250 years old.

※Flowering period: between February and April.

Tangible Cultural Property Designated by Ozu City Mokuzo Bankei Osho Zazo

Tangible Cultural Property Designated by Ozu City Mokuzo Bankei Osho Zazo

This statue is placed in Oshiken (Kaisando) on a mountain about 15 minutes on foot from the main hall.
An inscription, Oshi Kaiso Sonki was found on the base of the statue. It says that Bankei carved the statue himself and placed it in the Juto Tower of Oshiken, which was used for educating and training monks.
Oshiken was a monks’ ashram and no other people, even lords of the domain, were allowed to enter it. Meetings with visitors were done in a small hut built between the temple and Oshiken. Now on the site, there stands a monument, describing “Kaizan Kokushi Gessoko Iori Ato,” which means that this is the site on which a reputable monk, Gesso, created the temple.

※This statue is usually not on view for the general public.

Kannondo

Kannondo

Old records state that when Nyoho-ji Temple was rebuilt, many other buildings were also built around the mountains, as well as inside of the temple site.
Kannondo is one of these buildings and was built in Enpo 5 (1677). This hall is an important building which still maintains its original appearance.

The Lords of Ozu Domain, the Katos, Grave Sites Ozu City Designated Historic Sites

The Lords of Ozu Domain, the Katos, Grave Sites Ozu City Designated Historic Sites

Directions within Ozu City to Nyoho-ji Temple

Directions within Ozu City to Nyoho-ji Temple